In a celebration weaving together art, nature, and deep personal connections, acclaimed painter Tschabalala Self and gallerist Michael Mosby recently commemorated their union. Their journey began with an accidental meeting at an art exhibition, evolving into a profound partnership culminating in a picturesque wedding in the Hudson Valley. The event, meticulously planned with a theme of 'pastoral elegance,' served as a testament to their shared passions and enduring commitment, bringing together a diverse group of loved ones in a truly memorable setting.
The couple's initial encounter took place in January 2017 at the Elizabeth Dee Gallery in Harlem, at an exhibition for a mutual artistic acquaintance, Derek Fordjour. It was during this event that Michael, encouraged by a friend, approached Tschabalala. Their immediate connection led to their first kiss later that evening at Corner Social, marking the inception of their relationship. Five years subsequent to that fateful meeting, Michael, proprietor of Gallery 495 in Catskill, proposed to Tschabalala, whose celebrated works are displayed in prominent institutions such as the Whitney Museum and the Philadelphia Museum of Art.
The proposal itself was a deeply personal affair, unfolding in 2021 on a parcel of land they co-own in Germantown, New York, a place they frequently visited for walks and quiet moments. As the sun descended behind the Catskill Mountains one evening, Michael, seemingly reaching for his phone, instead dropped to one knee, asking for Tschabalala’s hand in marriage. This intimate moment, bathed in the fading light, underscored the authenticity and depth of their bond.
The wedding ceremony, held in July 2025, was deliberately situated at the Thomas Cole House in Catskill, New York. This choice was rich with symbolism for the artistic pair, as it not only resides in their local area but also stands as the former residence of Thomas Cole, the founder of the Hudson River School, a pivotal 19th-century American art movement. The location's historical significance greatly influenced their chosen theme of 'pastoral elegance' for the weekend's festivities, orchestrated by Events by Ananis.
Tschabalala, adorned in a custom tea-length duchesse satin corset gown by designer Brandon Blackwood—a close friend from their Bard College days—walked down the lawn to the soulful sounds of Rick James’ 'Ebony Eyes.' She was surrounded by a canopy of white flowers and 250 cherished guests. Michael awaited her at the steps of the Federal-style residence, dressed in a tailored tan suit by Mark Thomas Men’s Apparel. The ceremony was described by Tschabalala as 'surreal,' filled with an overwhelming sense of connection to all those present, from various chapters of their lives, as they exchanged their vows.
Following the heartfelt ceremony, guests roamed the estate grounds, savoring smoked peach Old Fashioneds and strawberry-rhubarb gin smashes, while a live band performed jazz, soul, and R&B, paying homage to the couple’s family roots in the Carolinas and New Orleans. The celebration continued at Kitty’s Restaurant, housed in a charming centuries-old barn, where attendees enjoyed a delectable dinner featuring blackened cod and grilled ribeye. For the reception, Tschabalala changed into a second Brandon Blackwood creation: an off-white crinkle silk chiffon dress with intricate hand-stitched pleats and an asymmetrical hem, complemented by Gianvito Rossi sandals.
As midnight approached, the festivities transitioned to Half Moon, a nearby bar, for an energetic after-party. There, Tschabalala and Mike took turns DJing from their iPhones, setting a lively atmosphere as friends danced amidst pink streamers. This segment of the evening provided a playful contrast to the earlier elegance. Reflecting on their wedding day, the couple expressed immense joy not only for the vibrant celebration but, more importantly, for the profound commitment they made to each other. They emphasized that their vows on July 12 also extended a commitment to their loved ones, a pledge they intend to uphold for life.